This book takes Woolf's brief hint as its starting point, asking who made the books of the English Renaissance, and what the material circumstances were in which they did so. In A Room of One's Own, Virginia Woolf described fictions as 'grossly material things', rooted in their physical and economic contexts. Twelfth Night, Or What You Will presented at the Abbey Theatre, Dublin. The Maid's Tragedy, Epicene, and As You Like It, presented by the American Shakespeare Center at the Blackfriars Playhouse, Staunton, Virginia, 3 January-5 April, 2014 Mary Ann Lund, Melancholy, Medicine, and Religion in Early Modern England: Reading ‘The Anatomy of Melancholy’ (Cambridge: Cambridge University Press, 2010) Lukas Erne, Shakespeare and the Book Trade (Cambridge: Cambridge University Press, 2013) Jennifer Vaught, Carnival and Literature in Early Modern England (Farnham: Ashgate, 2012) Helen Smith and Louise Wilson, eds, Renaissance Paratexts (Cambridge: Cambridge University Press, 2011) Naomi Miller and Naomi Yavneh, eds, Gender and Early Modern Constructions of Childhood (Farnham: Ashgate, 2011) 'What was it Shakespeare said?': Peter Holland and Adrian Poole, eds, Great Shakespeareans, set III, vols X-XIII (London: Continuum, 2012) Urban and Paul Klemp (Pittsburgh: Duquesne University Press, 2011) Urban, comps, John Milton: An Annotated Bibliography, 1989-1999, ed. ‘Hide, and be Hidden, Ride and be Ridden’: The Coach as Transgressive Space in the Literature of Early Modern Londonĭevelopments and Debates in English Censorship during the InterregnumĬalvin Huckaby and David V. Laughter in Twelfth Night and Beyond: Affect and Genre in Early Modern ComedyĪ Performance History of The Witch of Edmonton Take Up the Body: Early Modern English Translations of Seneca's Corpses This email address is being protected from spambots. Thanks for the continuing interest in our work,ĭr Daniel Cadman (on behalf of the editorial team)

We invite you to review the Table of Contents here and then visit our web site to review articles and items of interest. The Shakespeare Conference: SHK 25.472 Tuesday, 2 December 2014Įarly Modern Literary Studies has just published its latest issue, which is freely available at.

Renaissance Paratexts by Helen Smith